"For over fifty years, Eja Siepman van den Berg has worked on a unique body of work, imperturbable and conscientiously. With this award, the jury expresses it's appreciation for the way in which she chooses the human body as her main topic, devoid of fashion, 'schools' or trends." (Jury Wilhelmina Ring, 2017)
A new publication in honor of Eja Siepman van den Berg, laureate of the Wilhelminaring 2017
With an introduction by Wim Pijbes
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This most recent publication on Eja Siepman van den Bergs marks her solo exhibition at the CODA Museum in Apeldoorn, accompanying her laureate of the Wilhelminaring 2017. An initiative of Stichting Beheer Beeldencollectie Eja Siepman van den Berg and Galerie Schoots + Van Duyse, Antwerp.
3 June 2018 in Apeldoorn
Impressions of an afternoon in honor of Eja Siepman van den Berg, winner of the Wilhelminaring 2017
Sunday June 3, in Apeldoorn, a celebration and unveiling of a sculpture took place, in honor of Eja Siepman van den Berg, winner of the 2017 Wilhelminaring.
This, in the presence of Corrie van der Veen, Chairwoman Stichting Wilheminaring, and Chairman of the Jury, Wim Pijbes.
At the CODA Museum Apeldoorn director Carin Reinders opened an honorary exhibtition, presenting a rich choice from Eja Siepman van den Berg's body of work.
The exhibtion runs from 3 June until 9 September 2018.
For more information, please, visit the website of Museum CODA by clicking the button below:
Award Ceremony Wilhelmina Ring 2017,
Museum CODA, Apeldoorn
Looking back at a wonderful award ceremony in Apeldoorn (23 September), I would like to thank the Jury of the Wilhelmina Ring for this great honor.
I would also like to thank chairwoman of the Stichting Wilhelminaring, Corrie van der Veen, for her commitment and her warm-hearted introductory speech, elaborating on my work.
Besides that, I would like to thank Katja Prins for the wonderful design of the 2017 Wilhelmina Ring, and Carin Reinders of the CODA Museum Apeldoorn for her warm welcome.
And a special thanks goes to all those who visited the ceremony or reached out with their warm congratulations.
Eja Siepman van den Berg
Beetsterzwaag, 24 September 2017
Photo: Chairman of the jury Wim Pijbes, Katja Prins, designer of the Wilhelmina Ring 2017 (right), and Eja Siepman van den Berg.
Courtesy Janneke Veldman
A monographic publication on Eja Siepman van den Berg, expected 2022
Eja Siepman van den Berg, Kerber Verlag (Bielefeld/Berlin). Hardcover, 28.5 x 21.5 cm, ca. 120 pages, ca. 100 illustrations in color.
Eja Siepman van den Berg holds an unique position in Dutch ánd European art. From the early 1970s onwards, she has positioned herself in the elaborate contexts of figurative sculpture. At first sight, the (female) human body is Siepman van den Bergs 'prime subject'. On closer inspection, however, Siepman van den Berg transcends the merely figurative. Her body of work also responds to more fundamental matters of sculpture, to the meaning of scale, symmetry and proportion--a mathematical approach to the organic-- and to the intrinsic qualities of her materials, bronze and stone.
This explains Eja Siepman van den Berg's affinity with both the giants of classical figuration ánd abstraction. This publication will trace the development of Siepman van den Berg's distinctive visual idiom, in the context of both contemporaries and forerunners. It positions her as a true advocate of craftsmanship ánd conceptual approaches of sculpture, of both tradition ánd renewal.
Cover photo (detail):
Courtesy Het Depot/John Stoel
New developments: a Casting Fund and an exclusive offer of two luxurious editions in resin
A new Casting Fund ('Gietfonds') was established in April 2017. This fund enables Eja Siepman van den Berg to work with the latest innovations in sculpture, among them digital processes, and will lead to a new collection of works in marble and bronze. For this project, new––and important––partners were found in Art Casting (Oudenaarde, Belgium), FlexForm (Amsterdam), and Marble Studio Stagetti (Pietrasanta, Italy).
As an exclusive offer, Eja Siepman van den Berg developed two luxurious editions in resin, issued in April 2017. These sculptures will promote and support the Casting Fund and the monographic publication, scheduled for Spring 2018.
These works, in a limited edition of 50 copies each, will be on offer at selected European galleries. Each sculpture from the edition will be accompanied by a signed monograph.
There is no easier way to support the arts!
For more information, please contact:
Galerie Schoots + van Duyse
2000 Antwerp, Belgium